Friday, February 6, 2009

Screen Printing Frames, Aluminum vs. Wood Screen Printing Frames how to select.

The advantage of an aluminum screen 
printing frame is the durability and longevity it retains. Unlike wood
silk screen printing frames when exposing frames to water in a dip tank 
or washout sink aluminum frames will not warp. This will insure a flat frame 
through thousands of prints to come. Aluminum frames can also be stretched and 
re-stretched many times. The mesh and glue are simply removed from the frame 
using a professional tool that doesn't damage the aluminum. Once cleaned, the 
frames can then be re-stretched which will give you the ability to use that 
frame for years of hard work in your shop.


Aluminum frames are also light weight which makes shipping 
less expensive and saves you money in the long run. If you're looking to 
maximize performance in your shop, aluminum frames are a great item to add to 
your screen printing equipment.


More about screen printing mesh size: Different mesh sizes are used for different 
applications in the screen printing process. Mesh size is measured by how many 
threads of mesh there are crossing per square inch. For instance, a 110 mesh 
screen has 110 threads crossing per square inch. The higher the mesh count, the 
finer the threads and holes are in the screen. The size of the mesh has a lot to 
do with how detailed your image is and how thick the ink you are using is. If 
you have an image with extremely high detail, a lower mesh screen won't hold the 
high detail. The fine lines or dots in the image will simply fall through the 
holes in the mesh not giving you a correct representation of what your image 
should be. Also if you are using a thinner ink, the ink will also flood through 
the larger holes and soak onto your shirt or substrate making your image blurry 
as the ink bleeds. On the other hand, if you are trying to print a thicker ink 
(such as white) through to high of a mesh screen, barely any ink will print 
through the mesh. You will notice that different companies have different sizes 
available. If the mesh count is fairly close, such as the difference between 
155 vs. 156, 196 vs. 200, or 81 vs. 86, the difference is so negligible and 
small that it will not matter in your final results.


Since there are many variables involved in
silk screen printing we 
can't tell you exactly what mesh sizes are used for what applications. However 
we can give you a general outline of what sizes to use for certain types of 
printing. Your basic and most standard mesh sizes are 110 and 156. 110 mesh 
lays a fairly thick layer of ink down. It's great for block text letters and 
larger spot color designs. It's also a recommended mesh for white flash plates 
because many times you will only have to make one print impression which speeds up production time. 156 mesh also lays down a little thicker layer of screen 
printing ink but offers you some higher detail ability in your image due to 
the finer mesh. Also if you are printing with a little thinner viscosity colors 
of inks, you may want to use the 156 mesh so not too much ink is passed through 
your screen. Lower mesh counts like 40-86 are used for shimmer and glitter 
inks. These inks have particles in them that will not pass through the typical 
mesh sizes. Therefore you need a lower mesh count with large holes in order for
all the particles to pass through properly. Shimmer plastisol inks have finer particles in them so you could probably use an 86 mesh while glitter inks have much larger particles so it would be recommended to use a 40 or 60 mesh screen. 200 and 230 mesh are used for finer detailed images and thinner inks. These mesh sizes can hold larger half tone dots but are not 
recommended for four color process prints or fine detail half tone printing. 
Also graphic and solvent based 
silk screening inks that are much thinner should be used with these mesh 
sizes. Also if you would like a softer feel to the ink on your shirts you can 
print through these higher mesh counts which will let less ink through the 
screen giving you a much softer feel on the shirt. This can get tricky however, 
many times a duller distressed look is wanted for the artwork but if bright 
vibrant colors are desired (especially white) you will have a hard time getting 
the opacity thick enough using these higher meshes. 305 mesh is used for 
extremely high detail textile printing and fine halftone four color process and 
simulated process prints. (Learn more about process printing here.) Fine half 
tone dots need high fine detail mesh in order to hold and expose on. Higher 
meshes such as 355, 380, and 400 are used mainly for graphic printing with UV 
inks. UV inks are extremely thin and many times are used for high detail 
printing on signs, banners, or CD's. Using a higher mesh allows the automatic 
printers used in UV printing to regulate the amount of ink passed through the 
screen.

Exposure Notes: Different mesh sizes hold different 
amounts of emulsion, due to how big the holes in the mesh are. For instance a 
110 mesh screen will hold much more emulsion then a 305 mesh screen. While the 
difference isn't extreme, you will have to vary your exposure times slightly for 
different mesh sizes. A finer mesh screen that holds less emulsion will expose 
faster then a lower mesh screen that holds more emulsion. However, the 
difference is small so you may have to only vary as slightly as 5-10% in either 
direction and depending on mesh size in order to get maximum exposure 
performance.

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